An analysis of the women in william shakespeares the taming of the shrew

Origins[ edit ] The concept for the series originated in with Cedric Messinaa BBC producer who specialised in television productions of theatrical classics, while he was on location at Glamis Castle in AngusScotland, shooting an adaptation of J.

An analysis of the women in william shakespeares the taming of the shrew

The Taming of the Shrew - Wikipedia

As a whole, society seemingly typifies these powers as masculine because males gain control of these domains with the greatest amount of ease.

Additionally, Shakespeare also depicts roles of feminine power at work.

An analysis of the women in william shakespeares the taming of the shrew

However, upon investigation readers see an inherent problem within the realm of female agency throughout Shakespearian drama. While women seem to have agency, their agency is constantly confined or stifled somehow. Thus, Shakespeare creates strong female characters in Katherine, and Lady Macbeth from The Taming of the Shrew and Macbeth respectively; only to show the various ways in which they can lose the agency they seem to have.

Essentially, Shakespeare empathizes with a culture that fears powerful women, seeing them as an uncontainable threat that is wholly unsustainable in a society of culturally conditioned systemic gender oppression.

Therefore, all women in early modern England were expected to marry — regardless of class. Those that strayed from this societal expectation were deemed shrews or scolds. Elizabethan and Jacobean England was a traditionally and strictly hierarchal society. Katherine is both likeable and unlikable at times, showing acts of both strength and servitude.

Katherine admittedly is unappealing when she beats and binds her sister, Bianca, out of revenge, and strikes Petruchio 2.

However, Katherine herself goes through a systematic psychological attack via the harshness of Petruchio as he takes away everything she cares most for one by one: Essentially, the societal vote is clear: She continues to say that: Thy husband is thy lord, thy life, thy keeper, Thy head, thy sovereign, one that cares for thee, And for thy maintenance commits his body To painful labour both by sea and land, To watchthe night in storms, the day in cold, Whilst thou liest warm at home, secure and safe, And craves no other tribute at the hands But love, fair looks, and true obedience.

Paradoxically, because they act like men, they also become associated with mothers: They criticize and invert gender roles, making the male feel insecure in his masculinity, becoming mother-like as the male regresses back into an infant-like state of mind while in her presence.

Keith Thomas examines the anxiety surrounding the threat of witchcraft in his text, Religion and the Decline of Magic. The Medieval period practiced Catholicism, providing people with many prayers and rituals they could say and perform to ward off evils, including the devil, and by extension, witches.

However, during the Protestant Reformation, the tools to protect against such evils as witchcraft were stripped from religious belief; thus, creating greater fear and higher sensitivity to the idea of witches Thomas, As a result, readers fear Lady Macbeth as she continues to gain powers of witchcraft throughout Macbeth.

From the SparkNotes Blog Prior to the first act, an induction frames the play as a "kind of history" played in front of a befuddled drunkard named Christopher Sly who is tricked into believing that he is a lord. The play is performed in order to distract Sly from his "wife," who is actually Bartholomew, a servant, dressed as a woman.
New Jersey Repertory Company - Year-Round Professional Theater on the Jersey Shore It has been argued that the dedication is deliberately ambiguous, possibly standing for "Who He", a conceit also used in a contemporary pamphlet.

Her manipulative and relentless quest for any and all power was a real threat to period readers, as witchcraft derived from the devil himself, making Lady Macbeth intrinsically evil.

Therefore, while Katherine clearly adheres to the idea of culturally conditioned systemic gender oppression, Lady Macbeth systematically refutes it with a three-fold methodology.

First, she deconstructs masculinity as an inverted view of her femininity. By identifying kindness as weakness, while also displaying her own aggression, she completely denies this feminine role.

She later continues to show her aggressive tendencies by stating: I would, while it was smiling in my face, Have plucked my nipple from his boneless gums And dashed the brains out, had I so sworn As you have done to this.

By denying this sustenance, a woman obtains total control over whether an infant lives or dies; thus, Lady Macbeth sees herself in control.


Through her complete rejection of mother, Lady Macbeth inherently inverts the roles of femininity, going against the grain and doing the exact opposite of what society expects of her. In addition to inverting her own femininity, Lady Macbeth desires to further break free of her prison in order to obtain the power she inherently deserves.

It is plausible to believe that Lady Macbeth desires to shed her feminine sex, and become a male; however, it is most arguable that rather than becoming a male, Lady Macbeth desires greater-than-human power — that of witchcraft.

Witches, as depicted in Macbeth, are far more powerful than any male, with the most powerful witch being Hecate, goddess of witchcraft and leader of witches. A transformation from human to witch would give Lady Macbeth the most power a woman could hold because a man would not keep her as a queen, wife, or mother is kept.

Rather, left free to roam the spirit and mortal world bewitching other humans as she sees fit, giving her absolute control over humans, just as the witches have absolute control over Macbeth.

Essentially, the moment Lady Macbeth rejects her role as mother to become a witch, she is no longer human in the Shakespearian world. Lady Macbeth suggests to Macbeth that his performance of the murderous acts will be as weak as his desire to become king of his own accord.

As a result of these fears, Lady Macbeth must be subdued for her ability to gain power and control in Macbeth that is inherently negative.William Shakespeare's Titus Andronicus - William Shakespeare's Titus Andronicus Titus transforms into a character of carnival in Shakespeare’s “Titus Andronicus.”.

Mar 06,  · Taming of the Shrew Essay In The Taming of the Shrew, Kate goes through an amazing transformation from a harsh spitfire to a spirited yet submissive wife. This transformation is due to Petruchio’s over-the-top kindness towards Kate and cruelty towards all rutadeltambor.coms: The Taming of the Shrew is a comic play written by William Shakespeare around and first published in Marriage in William Shakespeare's The Taming of the Shrew Essay example Words | 11 Pages.

Marriage in William Shakespeare's The Taming of the Shrew At the time Shakespeare wrote The Taming of the Shrew the idealistics and attitudes to not only marriage, but also women were of a .

Four Great Tragedies: Hamlet, Othello, King Lear, Macbeth (Signet Classics) [William Shakespeare, Sylvan Barnet, Alvin Kernan, Russel Fraser] on *FREE* shipping on qualifying offers.

An analysis of the women in william shakespeares the taming of the shrew

The greatest tragic plays of William Shakespeare—including Hamlet, Othello, King Lear. The BBC Television Shakespeare is a series of British television adaptations of the plays of William Shakespeare, created by Cedric Messina and broadcast by BBC rutadeltambor.comitted in the UK from 3 December to 27 April , the series spanned seven seasons and thirty-seven episodes.

Development began in when Messina saw that the grounds of Glamis Castle would make a .

BBC Television Shakespeare - Wikipedia